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<language>en</language>
<description><![CDATA[IMAGINEMONMARTRE is a journal about Monmartre, that storied and legendary part of Paris where one might imagine the studios of the artists are still open, where the cabarets enjoyed by Lautrec, Gauguin and  other equally as important painters, many of whom will never be known by name but were a part of the scene, sometimes cried about unrequited love or a love that never was...]]></description>
<link>http://journals.aol.com/huffstutterr/imaginemonmartre/</link>













<title><![CDATA[IMAGINEMONMARTRE]]></title>

<pubDate>Sat, 26 Jul 2008 00:47:27 GMT
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<description>&lt;A href="http://pictures.aol.com/galleries/flyingscallop/e630MnURu1y8lKL3*5eg4uYO7HO2EoSLGTysv4xQp5Fd3Ig=/"&gt;&lt;IMG src="http://links.pictures.aol.com/pic/e630MnURu1y8lKL3*5eg4uYO7HO2EoSLGTysv4xQp5Fd3Ig=_s.jpg"/&gt; "Crèche" from flyingscallop's AOL Pictures Public Gallery.&lt;/A&gt;&amp;nbsp;</description>
<link>http://journals.aol.com/huffstutterr/imaginemonmartre/entries/2008/07/25/picture-from-flyingscallops-aol-pictures-public-gallery/1630</link>
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<title><![CDATA[Picture from flyingscallop's AOL Pictures Public Gallery]]></title>

<pubDate>Sat, 26 Jul 2008 00:47:27 GMT
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<description>&lt;P&gt;&lt;A href="http://pictures.aol.com/galleries/wiomarch24/b050uSkdcvGT69sGV99BiJqHW6XXvUvKXZ5Tv4xQp5Fd3Ig=/"&gt;&lt;IMG src="http://links.pictures.aol.com/pic/b050uSkdcvGT69sGV99BiJqHW6XXvUvKXZ5Tv4xQp5Fd3Ig=_s.jpg"/&gt; Picture from wiomarch24's AOL Pictures Public Gallery.&lt;/A&gt;&amp;nbsp;&lt;/P&gt;
&lt;P&gt;&lt;IMG height=576 src="http://shutter06.pictures.aol.com/data/pictures/17/006/4B/FD/45/23/QcFGZxo-VBf0Yg9wyenaXuD2wZ0IuLG+0300.jpg" width=768/&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;FONT color=#ff0000 size=5&gt;A FANTASTIC GALLERY FOR THOSE WHO LOVE PARIS...GO NOW TO CATCH THE FLAVOR AND THE SMILES..................ROB&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;</description>
<link>http://journals.aol.com/huffstutterr/imaginemonmartre/entries/2008/07/13/picture-from-wiomarch24s-aol-pictures-public-gallery/1612</link>
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<title><![CDATA[Picture from wiomarch24's AOL Pictures Public Gallery]]></title>

<pubDate>Sun, 13 Jul 2008 12:13:25 GMT
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<description>&lt;P&gt;&lt;A href="http://www.salon-automne-paris.com/sommaire.htm"&gt;http://www.salon-automne-paris.com/sommaire.htm&lt;/A&gt;&lt;/P&gt;
&lt;P&gt;&amp;nbsp;&lt;/P&gt;
&lt;P&gt;&lt;IMG src="http://www.salon-automne-paris.com/histo/catal/1948.jpg"/&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;FONT color=#009900 size=6&gt;FOR ART LOVERS OF THE PARISIAN GENRE, THIS IS THE WEBSITE FOR YOU....&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;DIV class=tags id=tagsLocation&gt;&lt;BR/&gt;Tags: &lt;A href="http://technorati.com/tag/ART+LOVERS" target=_blank rel=tag&gt;ART LOVERS&lt;/A&gt;, &lt;A href="http://technorati.com/tag/LINK+UP+TO+PARIS+SALONS" target=_blank rel=tag&gt;LINK UP TO PARIS SALONS&lt;/A&gt;, &lt;A href="http://technorati.com/tag/CLICK+AND+ENJOY" target=_blank rel=tag&gt;CLICK AND ENJOY&lt;/A&gt;, &lt;A href="http://technorati.com/tag/A+VARIETY+OF+FRENCH+AND+WORLD+ART" target=_blank rel=tag&gt;A VARIETY OF FRENCH AND WORLD ART&lt;/A&gt;, &lt;A href="http://technorati.com/tag/FAMOUS+PAINTERS" target=_blank rel=tag&gt;FAMOUS PAINTERS&lt;/A&gt;, &lt;A href='http://rpc.technorati.com/rpc/ping%20,%20TECHNORATI,%20%3Ca%20href=%22http://technorati.com/tag/LINK+UP+TO+PARIS+SALONS%22%20rel=%22tag%22%3E%3Cimg%20style=%22border:0;vertical-align:middle;margin-left:.4em%22%20src=%22http://static.technorati.com/static/img/pub/icon-utag-16x13.png?tag=LINK+UP+TO+PARIS+SALONS" alt=" " /&gt;LINK UP TO PARIS SALONS&lt;/&gt;' target=_blank rel=tag&gt;FAMOUS PAINTINGS, &lt;FONT face="Courier New"&gt;http://rpc.technorati.com/rpc/ping&lt;/FONT&gt; , TECHNORATI, &amp;lt;a href="http://technorati.com/tag/LINK+UP+TO+PARIS+SALONS" rel="tag"&amp;gt;&amp;lt;img style="border:0;vertical-align:middle;margin-left:.4em" src="http://static.technorati.com/static/img/pub/icon-utag-16x13.png?tag=LINK+UP+TO+PARIS+SALONS" alt=" " /&amp;gt;LINK UP TO PARIS SALONS&amp;lt;/, &lt;FONT face="Courier New"&gt;http://rpc.technorati.com/rpc/ping&lt;/FONT&gt; .,&lt;FONT face="Courier New"&gt;http://rpc.technorati.com/rpc/ping&lt;/FONT&gt; &amp;gt;&lt;/A&gt;&lt;/DIV&gt;</description>
<link>http://journals.aol.com/huffstutterr/imaginemonmartre/entries/2008/04/12/untitled/1563</link>
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<title><![CDATA[ ]]></title>

<pubDate>Sat, 12 Apr 2008 12:58:33 GMT
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<description>&lt;IMG src="http://aolsearch.aol.com/aol/redir?src=image&amp;amp;requestId=6d42cd5c2dc5997a&amp;amp;userQuery=PARIS+ART+STUDIOS+IN+19TH+CENTURY&amp;amp;clickedItemURN=http%3A%2F%2Fwww.fisheseye.com%2Fimages%2Flautre1.jpg&amp;amp;moduleId=image_details.jsp.M&amp;amp;clickedItemDescription=Image Details"/&gt;</description>
<link>http://journals.aol.com/huffstutterr/imaginemonmartre/entries/2008/05/07/looking-at-some-bohemian-art-in-19th-century-paris/1568</link>
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<title><![CDATA[LOOKING AT SOME BOHEMIAN ART IN 19TH CENTURY PARIS]]></title>

<pubDate>Thu, 08 May 2008 02:00:30 GMT
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<description>&lt;P&gt;&lt;A href="http://pictures.aol.com/galleries/huffstutterr/4190b6SWHqBsGmALPp8*az6Cvov3OwT*V8DFv4xQp5Fd3Ig=/large/"&gt;&lt;IMG style="LEFT: 7px; TOP: 29px" height=324 alt="NEXT PHASE OF ON-LINE WATERCOLOR BY R.L. HUFFSTUTTER, USING DERWENT WATERCOLOUR PENCILS FROM ENGLAND..." src="http://shutter07.pictures.aol.com/data/pictures/22/006/5B/6F/BD/67/oP2N06k0O0RqYj3pGc7Du4Vw1yQKg9EZ0300.jpg" width=440 border=0/&gt;&lt;/A&gt;&lt;FONT color=#cc0000 size=6&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#cc0000&gt;&lt;STRONG&gt;This is one of my beach watercolors, done with watercolor pencils. It is not complete, but the completed photo is in my gallery for a comparison or a study in the stages of painting a watercolor....&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#cc0000 size=6&gt;&lt;STRONG&gt;"Be sure and stop by my gallery in Monmartre...the next time you are in Paris..." &lt;FONT size=5&gt;&lt;FONT color=#666666&gt;is the invitation I would like to extend to you, but that, like much art, is so much fantasy. Someday, maybe...but for now, it is the free trips to the local galleries, the internet travel galleries and coffee table exhibit books. So, welcome to my world and browse a few of my watercolors when you get a chance.&amp;nbsp; Much of my work is in my AOL gallery:&lt;/FONT&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#cc0000 size=6&gt;&lt;STRONG&gt;&lt;FONT size=5&gt;&lt;FONT color=#666666&gt;&lt;A href="http://pictures.aol.com/galleries/huffstutterr"&gt;http://pictures.aol.com/galleries/huffstutterr&lt;/A&gt;. &lt;/FONT&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;FONT color=#666666 size=5&gt;&lt;A href="http://pictures.aol.com/galleries/huffstutterr/4190b6SWHqBsGmALPp8*az6Cvobrt2GeOK78v4xQp5Fd3Ig=/large/"&gt;&lt;IMG style="LEFT: 7px; TOP: 29px" height=319 alt="WATERCOLORS BY R.L.HUFFSTUTTER" src="http://shutter15.pictures.aol.com/data/pictures/18/004/7E/F7/18/24/Ll3vUoyflXlweSUwJS6EV1PmYOlYHRUh0300.jpg" width=440 border=0/&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;FONT color=#666666 size=5&gt;I really like clay pots and container gardening...a fact that will prove true if you take my invitation to heart and spend some time in my gallery...&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;</description>
<link>http://journals.aol.com/huffstutterr/imaginemonmartre/entries/2008/04/12/untitled/1566</link>
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<title><![CDATA[ ]]></title>

<pubDate>Sat, 12 Apr 2008 16:05:27 GMT
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<description>&lt;P&gt;&lt;A href="http://www.treadwaygallery.com/ONLINECATALOGS/March2004/0601-0650.html"&gt;http://www.treadwaygallery.com/ONLINECATALOGS/March2004/0601-0650.html&lt;/A&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#cc0000 size=6&gt;&lt;STRONG&gt;BROWSE SOME FANTASTIC OIL AND WATERCOLOR PAINTINGS&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#cc0000 size=6&gt;&lt;IMG src="http://www.treadwaygallery.com/ONLINECATALOGS/March2004/paintWEB/0638.jpg"/&gt;&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&amp;nbsp;&lt;/P&gt;</description>
<link>http://journals.aol.com/huffstutterr/imaginemonmartre/entries/2008/04/12/untitled/1565</link>
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<title><![CDATA[ ]]></title>

<pubDate>Sat, 12 Apr 2008 14:11:29 GMT
</pubDate>





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<description>&lt;P&gt;&lt;STRONG&gt;&lt;FONT color=#cc0000&gt;THE JOY OF PARIS IS AS CLOSE AS YOUR MOUSE. IF I WAKE IN THE MOOD TO GO TO PARIS TO SIP WINE OR COFFEE AND DON'T WANT TO LEAVE HOME, I WILL SEARCH THE IMAGES FOR PARIS CAFE...and I chose this one when the first page appeared. It definitely has the image I wanted .....&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;FONT color=#cc0000&gt;&lt;IMG src="http://aolsearch.aol.com/aol/redir?src=image&amp;amp;clickedItemURN=http%3A%2F%2Fwww.alliancefrancaisemanchester.org%2Fphototheque%2Fparis-cafe-placemats-2.jpg&amp;amp;moduleId=image_details.jsp.M&amp;amp;clickedItemDescription=Image Details"/&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#cc0000&gt;&lt;A href="http://aolsearch.aol.com/aol/redir?src=image&amp;amp;requestId=8f708c5485c6ad07&amp;amp;clickedItemRank=5&amp;amp;userQuery=PARIS+CAFE&amp;amp;clickedItemURN=imageDetails%3FinvocationType%3DimageDetails%26query%3DPARIS%2BCAFE%26img%3Dhttp%253A%252F%252Fwww.alliancefrancaisemanchester.org%252Fphototheque%252Fparis-cafe-placemats-2.jpg%26site%3D%26host%3Dhttp%253A%252F%252Fwww.alliancefrancaisemanchester.org%252Fprog_cult.php%253Flang%253Den%2526PHPSESSID%253D137fcc6ba426e3ab0bacf486c77991a2%26width%3D135%26height%3D90%26thumbUrl%3Dhttp%253A%252F%252Fimages-partners-tbn.google.com%252Fimages%253Fq%253Dtbn%253AltATEmR1ewWbsM%253Awww.alliancefrancaisemanchester.org%252Fphototheque%252Fparis-cafe-placemats-2.jpg%26b%3Dimage%253Fquery%253DPARIS%252520CAFE&amp;amp;moduleId=image_results.jsp.M&amp;amp;obUrl=imageDetails%3FinvocationType%3DimageDetails%26query%3DPARIS%2BCAFE%26img%3Dhttp%253A%252F%252Fwww.alliancefrancaisemanchester.org%252Fphototheque%252Fparis-cafe-placemats-2.jpg%26site%3D%26host%3Dhttp%253A%252F%252Fwww.alliancefrancaisemanchester.org%252Fprog_cult.php%253Flang%253Den%2526PHPSESSID%253D137fcc6ba426e3ab0bacf486c77991a2%26width%3D135%26height%3D90%26thumbUrl%3Dhttp%253A%252F%252Fimages-partners-tbn.google.com%252Fimages%253Fq%253Dtbn%253AltATEmR1ewWbsM%253Awww.alliancefrancaisemanchester.org%252Fphototheque%252Fparis-cafe-placemats-2.jpg%26b%3Dimage%253FPARIS%252BCAFE&amp;amp;clickedItemDescription=Image Results" target=_blank&gt;Café Philo Conversati...&lt;/A&gt;&lt;FONT color=#000000&gt; &lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;600 x 398pixels - 80869bytes&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;A class=host href="http://www.alliancefrancaisemanchester.org/prog_cult.php?lang=en&amp;amp;PHPSESSID=137fcc6ba426e3ab0bacf486c77991a2" target=_blank&gt;&lt;STRONG&gt;www.alliancefrancaisemancheste&lt;/STRONG&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;</description>
<link>http://journals.aol.com/huffstutterr/imaginemonmartre/entries/2008/04/12/untitled/1564</link>
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<title><![CDATA[ ]]></title>

<pubDate>Sat, 12 Apr 2008 13:14:34 GMT
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<description>&lt;P&gt;&lt;FONT color=#cc0000 size=6&gt;&lt;/FONT&gt;&lt;STRONG&gt;&lt;FONT color=#ff0000 size=2&gt;&lt;U&gt;&lt;EM&gt;LINKS TO ALMOST EVERY SUBJECT, THANKS TO ...FROM LOVE TO KNOW...&lt;/EM&gt;&lt;/U&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#cc0000 size=6&gt;&lt;STRONG&gt;&lt;A href="http://www.1911encyclopedia.org/Paris,_France"&gt;France&lt;/A&gt;&amp;nbsp; &lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#cc0000 size=6&gt;&lt;STRONG&gt;A BRIEF&amp;nbsp;HISTORY&amp;nbsp;OF PARIS&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;STRONG&gt;&lt;FONT color=#cc0000&gt;
&lt;DIV id=column-content&gt;
&lt;DIV id=content&gt;&lt;A id=contentTop name=top&gt;&lt;/A&gt;Paris, France 
&lt;DIV id=bodyContent&gt;From LoveToKnow 1911 
&lt;DIV id=contentSub&gt;&lt;/DIV&gt;
&lt;P&gt;&lt;B&gt;&lt;A title=Paris href="http://www.1911encyclopedia.org/Paris"&gt;PARIS&lt;/A&gt;,&lt;/B&gt; the capital of &lt;A title=France href="http://www.1911encyclopedia.org/France"&gt;France&lt;/A&gt; and the department of &lt;A title=Seine href="http://www.1911encyclopedia.org/Seine"&gt;Seine&lt;/A&gt;, situated on both &lt;A title=Banks href="http://www.1911encyclopedia.org/Banks"&gt;banks&lt;/A&gt; of the Seine, 233 m. from its mouth and 285 m. S.S.E. of &lt;A title=London href="http://www.1911encyclopedia.org/London"&gt;London&lt;/A&gt; by rail and steamer via &lt;A title=Dover href="http://www.1911encyclopedia.org/Dover"&gt;Dover&lt;/A&gt; and &lt;A title=Calais href="http://www.1911encyclopedia.org/Calais"&gt;Calais&lt;/A&gt;, in 48° 50' 14" N., 2° 20' 14" E. (observatory). It occupies the centre of the so-called Paris basin, which is traversed by the Seine from south-east to north-west, open towards the west, and surrounded by a line of &lt;A title=Jurassic href="http://www.1911encyclopedia.org/Jurassic"&gt;Jurassic&lt;/A&gt; heights. The granitic substratum is covered by Jurassic, &lt;A title="Cretaceous system" href="http://www.1911encyclopedia.org/Cretaceous_system"&gt;Cretaceous&lt;/A&gt; and &lt;A title=Tertiary href="http://www.1911encyclopedia.org/Tertiary"&gt;Tertiary&lt;/A&gt; formations; and at several points building materials - freestone, &lt;A title=Limestone href="http://www.1911encyclopedia.org/Limestone"&gt;limestone&lt;/A&gt; or &lt;A title=Gypsum href="http://www.1911encyclopedia.org/Gypsum"&gt;gypsum&lt;/A&gt; - have been laid bare by erosion. It is partly, indeed, to the existence of such quarries in its neighbourhood, and to the vicinity of the &lt;A title=Grain href="http://www.1911encyclopedia.org/Grain"&gt;grain&lt;/A&gt;-bearing regions of the &lt;A title=Beauce href="http://www.1911encyclopedia.org/Beauce"&gt;Beauce&lt;/A&gt; and &lt;A title=Brie href="http://www.1911encyclopedia.org/Brie"&gt;Brie&lt;/A&gt; that the city owes its development. Still more important is its position at the meeting-place of the great natural highways leading from the Mediterranean to the ocean by way of the &lt;A title=Rhone href="http://www.1911encyclopedia.org/Rhone"&gt;Rhone&lt;/A&gt; valley and from &lt;A title=Spain href="http://www.1911encyclopedia.org/Spain"&gt;Spain&lt;/A&gt; northwards over the lowlands of western France. The &lt;A title=Altitude href="http://www.1911encyclopedia.org/Altitude"&gt;altitude&lt;/A&gt; of Paris varies between 80 ft. (at the Point du Jour, the exit of the Seine from the fortifications) and 420 ft. at the hill of Montmartre in the north of the city; the other chief &lt;A title=Eminence href="http://www.1911encyclopedia.org/Eminence"&gt;eminence&lt;/A&gt; is the hill of Ste Genevieve, on the left &lt;A title="Bank (game)" href="http://www.1911encyclopedia.org/Bank_%28game%29"&gt;bank&lt;/A&gt;. Since 1840 Paris has been completely surrounded by a wall, which since 1860 has served also as the limit for the collection of municipal customs dues (&lt;I&gt;&lt;A title=Octroi href="http://www.1911encyclopedia.org/Octroi"&gt;octroi&lt;/A&gt;). &lt;/I&gt;Proposals are constantly being brought forward to demolish this wall - which, with its &lt;A title=Talus href="http://www.1911encyclopedia.org/Talus"&gt;talus&lt;/A&gt;, is encircled by a broad and deep ditch - either entirely or at least from the Point du Jour, where the Seine intersects the wall below the city, to &lt;A title=Pantin href="http://www.1911encyclopedia.org/Pantin"&gt;Pantin&lt;/A&gt;, so as to extend the limits of the city as far as the Seine, which runs almost parallel with the wall for that distance. Within the wall the area of the city is 19,279 acres; the river runs through it from east to west in a broad &lt;A title=Curve href="http://www.1911encyclopedia.org/Curve"&gt;curve&lt;/A&gt; for a distance of nearly 8 m. &lt;/P&gt;
&lt;TABLE id=toc border=0&gt;
&lt;TBODY&gt;
&lt;TR id=toctitle&gt;
&lt;TD align=middle&gt;&lt;B&gt;Table of contents&lt;/B&gt; &lt;SPAN class=toctoggle&gt;[&lt;A class=internal&gt;&lt;SPAN id=showlink style="DISPLAY: none"&gt;show&lt;/SPAN&gt;&lt;SPAN id=hidelink&gt;hide&lt;/SPAN&gt;&lt;/A&gt;]&lt;/SPAN&gt; &lt;/TD&gt;&lt;/TR&gt;
&lt;TR id=tocinside&gt;
&lt;TD&gt;
&lt;DIV class=tocline&gt;&lt;A href="http://www.1911encyclopedia.org/Paris,_France#Climate"&gt;1 Climate&lt;/A&gt;&lt;BR/&gt;&lt;/DIV&gt;
&lt;DIV class=tocline&gt;&lt;A href="http://www.1911encyclopedia.org/Paris,_France#Defences"&gt;2 Defences&lt;/A&gt;&lt;BR/&gt;&lt;/DIV&gt;
&lt;DIV class=tocline&gt;&lt;A href="http://www.1911encyclopedia.org/Paris,_France#Topography"&gt;3 Topography&lt;/A&gt;&lt;BR/&gt;&lt;/DIV&gt;
&lt;DIV class=tocline&gt;&lt;A href="http://www.1911encyclopedia.org/Paris,_France#The_Seine"&gt;4 The Seine&lt;/A&gt;&lt;BR/&gt;&lt;/DIV&gt;
&lt;DIV class=tocline&gt;&lt;A href="http://www.1911encyclopedia.org/Paris,_France#Promenades_and_Parks"&gt;5 Promenades and Parks&lt;/A&gt;&lt;BR/&gt;&lt;/DIV&gt;
&lt;DIV class=tocline&gt;&lt;A href="http://www.1911encyclopedia.org/Paris,_France#Churches"&gt;6 Churches&lt;/A&gt;&lt;BR/&gt;&lt;/DIV&gt;
&lt;DIV class=tocline&gt;&lt;A href="http://www.1911encyclopedia.org/Paris,_France#Civil_Buildings"&gt;7 Civil Buildings&lt;/A&gt;&lt;BR/&gt;&lt;/DIV&gt;
&lt;DIV class=tocline&gt;&lt;A href="http://www.1911encyclopedia.org/Paris,_France#Museums"&gt;8 Museums&lt;/A&gt;&lt;BR/&gt;&lt;/DIV&gt;
&lt;DIV class=tocline&gt;&lt;A href="http://www.1911encyclopedia.org/Paris,_France#Population"&gt;9 Population&lt;/A&gt;&lt;BR/&gt;&lt;/DIV&gt;
&lt;DIV class=tocline&gt;&lt;A href="http://www.1911encyclopedia.org/Paris,_France#Finance"&gt;10 Finance&lt;/A&gt;&lt;BR/&gt;&lt;/DIV&gt;
&lt;DIV class=tocline&gt;&lt;A href="http://www.1911encyclopedia.org/Paris,_France#Communications"&gt;11 Communications&lt;/A&gt;&lt;BR/&gt;&lt;/DIV&gt;
&lt;DIV class=tocline&gt;&lt;A href="http://www.1911encyclopedia.org/Paris,_France#Streets"&gt;12 Streets&lt;/A&gt;&lt;BR/&gt;&lt;/DIV&gt;
&lt;DIV class=tocline&gt;&lt;A href="http://www.1911encyclopedia.org/Paris,_France#Water"&gt;13 Water&lt;/A&gt;&lt;BR/&gt;&lt;/DIV&gt;
&lt;DIV class=tocline&gt;&lt;A href="http://www.1911encyclopedia.org/Paris,_France#Drainage"&gt;14 Drainage&lt;/A&gt;&lt;BR/&gt;&lt;/DIV&gt;
&lt;DIV class=tocline&gt;&lt;A href="http://www.1911encyclopedia.org/Paris,_France#Lighting"&gt;15 Lighting&lt;/A&gt;&lt;BR/&gt;&lt;/DIV&gt;
&lt;DIV class=tocline&gt;&lt;A href="http://www.1911encyclopedia.org/Paris,_France#Secondary_and_Higher_Education"&gt;16 Secondary and Higher Education&lt;/A&gt;&lt;BR/&gt;&lt;/DIV&gt;
&lt;DIV class=tocline&gt;&lt;A href="http://www.1911encyclopedia.org/Paris,_France#Charity"&gt;17 Charity&lt;/A&gt;&lt;BR/&gt;&lt;/DIV&gt;
&lt;DIV class=tocline&gt;&lt;A href="http://www.1911encyclopedia.org/Paris,_France#Religion"&gt;18 Religion&lt;/A&gt;&lt;BR/&gt;&lt;/DIV&gt;
&lt;DIV class=tocline&gt;&lt;A href="http://www.1911encyclopedia.org/Paris,_France#Industries"&gt;19 Industries&lt;/A&gt;&lt;BR/&gt;&lt;/DIV&gt;
&lt;DIV class=tocline&gt;&lt;A href="http://www.1911encyclopedia.org/Paris,_France#Markets"&gt;20 Markets&lt;/A&gt;&lt;BR/&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;
&lt;DIV class=editsection style="FLOAT: right; MARGIN-LEFT: 5px"&gt;[&lt;A title="Paris, France" href="http://www.1911encyclopedia.org/index.php?title=Paris%2C_France&amp;amp;action=edit&amp;amp;section=1"&gt;edit&lt;/A&gt;]&lt;/DIV&gt;&lt;A name=Climate&gt;&lt;/A&gt;Climate 
&lt;P&gt;Paris has a fairly uniform climate. The mean temperature, calculated from observations extending over fifty years (1841-1890), is 49° 8 F. The highest &lt;A title=Reading href="http://www.1911encyclopedia.org/Reading"&gt;reading&lt;/A&gt; (observed in July 1874 and again in July 1881) is 101 ° F., the lowest (in December 1879) is - 14°. The monthly means for the fifty years1841-1890were: January 35° 9, February 38° 3, March 42° 3, April 49° 5, May 55° 6, June 61°. 7, July 64° 6, August 63° 5, September 58°. 2, October 49° 8, November 40° 2, December 36°. 6. The Seine freezes when the temperature falls below 18°. It was frozen in nearly its whole extent from Bercy to Auteuil in the winters of 1819-1820, 1829-1830,1879-1880and 1890-1891. &lt;A title=Rain href="http://www.1911encyclopedia.org/Rain"&gt;Rain&lt;/A&gt; falls, on an average, on about 200 days, the average quantity in a year being between 22 and 23 in. The rainfall from December to April inclusive is less than the average, while the rainfall from May to November exceeds the average for the whole year. The driest month is February, the rainiest June - the rainfall for these months being respectively 1.3 in. and 2.3 in. The prevailing winds are those from the south, south-west and west. The general character of the climate, somewhat continental in winter and oceanic in summer, has been more closely observed since the three observatories at different heights on the &lt;A title="Eiffel Tower" href="http://www.1911encyclopedia.org/Eiffel_Tower"&gt;Eiffel Tower&lt;/A&gt; were added in 1889 to the old-established ones of the parks of St Maur and Montsouris. 1 The &lt;A title=Observatory href="http://www.1911encyclopedia.org/Observatory"&gt;observatory&lt;/A&gt; at the old church-&lt;A title=Tower href="http://www.1911encyclopedia.org/Tower"&gt;tower&lt;/A&gt; St Jacques (16th century) in the centre of the city, and since 1896 a municipal establishment, is of special interest on account of the study made there of the transparency and purity of the &lt;A title=Air href="http://www.1911encyclopedia.org/Air"&gt;air&lt;/A&gt;. There are barely loo days in the year when the air is very clear. Generally the city is covered by floating mists, possibly 1500 ft. in thickness. During the prevalence of north-easterly winds the &lt;A title=Sky href="http://www.1911encyclopedia.org/Sky"&gt;sky&lt;/A&gt; is most obscured, since on that side lies the greatest number of factories with smoking chimneys&lt;/P&gt;
&lt;P&gt;&lt;A href="http://www.1911encyclopedia.org/Paris,_France"&gt;http://www.1911encyclopedia.org/Paris,_France&lt;/A&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#cc66cc&gt;COPYRIGHTED MATERIAL USED FOR INFORMATION AND EDUCATION PURPOSES ONLY&lt;/FONT&gt;&lt;/P&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/FONT&gt;&lt;/STRONG&gt;
&lt;DIV id=tagsLocation class="tags"&gt;&lt;BR/&gt;Tags: &lt;A href="http://technorati.com/tag/PARIS+FRANCE" target=_blank rel=tag&gt;PARIS FRANCE&lt;/A&gt;, &lt;A href="http://technorati.com/tag/LINKS+TO+MOST+EVERY+SUBJECT" target=_blank rel=tag&gt;LINKS TO MOST EVERY SUBJECT&lt;/A&gt;, &lt;A href="http://technorati.com/tag/LOVE+TO+KNOW+INFORMATON" target=_blank rel=tag&gt;LOVE TO KNOW INFORMATON&lt;/A&gt;, &lt;A href="http://technorati.com/tag/EDUCATION" target=_blank rel=tag&gt;EDUCATION&lt;/A&gt;, &lt;A href="http://technorati.com/tag/IMAGINEMONMARTRE+PHOTOJOURNAL" target=_blank rel=tag&gt;IMAGINEMONMARTRE PHOTOJOURNAL&lt;/A&gt;, &lt;A href="http://technorati.com/tag/R.L.+HUFFSTUTTER+EDITOR" target=_blank rel=tag&gt;R.L. HUFFSTUTTER EDITOR&lt;/A&gt;, &lt;A href="http://technorati.com/tag/FOR+INFOR+ABOUT+FRANCE" target=_blank rel=tag&gt;FOR INFOR ABOUT FRANCE&lt;/A&gt;&lt;/DIV&gt;</description>
<link>http://journals.aol.com/huffstutterr/imaginemonmartre/entries/2008/04/12/untitled/1562</link>
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<title><![CDATA[ ]]></title>

<pubDate>Sat, 12 Apr 2008 12:20:43 GMT
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<description>&lt;P&gt;&lt;A href="http://pictures.aol.com/galleries/gswimmr/4c00U1aWuSFv9hCsxJlNjhaUUA--YO9UvpOTv4xQp5Fd3Ig=/"&gt;&lt;IMG src="http://links.pictures.aol.com/pic/4c00U1aWuSFv9hCsxJlNjhaUUA--YO9UvpOTv4xQp5Fd3Ig=_s.jpg"/&gt; "watercolor on paper, 2007" from gswimmr's AOL Pictures Public Gallery.&lt;/A&gt;&amp;nbsp;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;FONT color=#cc0000&gt;THE ABOVE CANVAS MIGHT BE THE TYPE ONE WOULD SEE IF ONE WERE PEEKING INTO THE WINDOWS OF AN 1882 MONMARTRE STUDIO...&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;A href="http://journals.aol.com/huffstutterr/BLOGABOUTARTAROUNDUS/"&gt;http://journals.aol.com/huffstutterr/BLOGABOUTARTAROUNDUS/&lt;/A&gt;&lt;/P&gt;</description>
<link>http://journals.aol.com/huffstutterr/imaginemonmartre/entries/2008/03/29/picture-from-gswimmrs-aol-pictures-public-gallery/1559</link>
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<title><![CDATA[Picture from gswimmr's AOL Pictures Public Gallery]]></title>

<pubDate>Sat, 29 Mar 2008 12:16:36 GMT
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<description>&lt;TABLE cellSpacing=0 cellPadding=0 width=505 border=0&gt;
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&lt;P style="FONT-WEIGHT: bold; FONT-SIZE: 10px; COLOR: #000000; LINE-HEIGHT: 10px; FONT-FAMILY: Verdana, Arial, Helvetica, sans-serif"&gt;THE REAL DEAL&lt;/P&gt;&lt;/TD&gt;&lt;/TR&gt;
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&lt;TD width=485 height=30&gt;
&lt;P style="FONT-WEIGHT: bold; FONT-SIZE: 15px; COLOR: #3399cc; LINE-HEIGHT: 15px; FONT-FAMILY: Georgia, Times New Roman, Times, serif"&gt;&lt;A title=http://newsletters.nationalgeographic.com/W0RH01290F5B35A1767DB3420D82F0 style="FONT-WEIGHT: normal; COLOR: #3399cc; TEXT-DECORATION: none" href="http://newsletters.nationalgeographic.com/W0RH01290F5B35A1767DB3420D82F0" target=_blank&gt;&lt;B&gt;1. Five Days in Paris from $545 with Airfare&lt;/B&gt;&lt;/A&gt;&lt;/P&gt;&lt;/TD&gt;&lt;/TR&gt;
&lt;TR&gt;
&lt;TD width=15&gt;&lt;/TD&gt;
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&lt;P style="FONT-WEIGHT: normal; FONT-SIZE: 14px; COLOR: #666666; LINE-HEIGHT: 18px; FONT-FAMILY: Trebuchet MS, Geneva, Arial, Helvetica, SunSans-Regular, sans-serif"&gt;Visit Paris with TourCrafters' five-day/four-night Paris “City Break” starting at $545. The package includes round-trip airfare from New York (JFK) or Boston, four nights' accommodations at the Mouffetard Comfort Inn, and daily buffet breakfast. The hotel is located on the Left Bank's picturesque rue Mouffetard, one of Paris’ oldest and liveliest neighborhoods. You can even extend the trip for two nights at the Grand Hotel Florence in Nice for $269 per person, including round-trip air. This deal is valid for travel through February, then increases to $620 per person for travel through March 13. For more information &lt;A title=http://newsletters.nationalgeographic.com/W0RH01290F6B25A1767DB3420D82F0 style="FONT-WEIGHT: normal; COLOR: #3399cc; TEXT-DECORATION: none" href="http://newsletters.nationalgeographic.com/W0RH01290F6B25A1767DB3420D82F0" target=_blank&gt;&lt;B&gt;go&lt;/B&gt;&lt;/A&gt; online or call 800 482 5995.&lt;/P&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;BR/&gt;&lt;/TD&gt;&lt;/TR&gt;
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&lt;TD width=505 height=5&gt;&lt;IMG height=5 alt="" src="http://images.bigfootinteractive.com/images/7110103/19681426/test_line_horz_sub.gif" width=505 border=0/&gt;&lt;/TD&gt;&lt;/TR&gt;
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&lt;P style="FONT-WEIGHT: bold; FONT-SIZE: 10px; COLOR: #000000; LINE-HEIGHT: 10px; FONT-FAMILY: Verdana, Arial, Helvetica, sans-serif"&gt;&lt;BR/&gt;PHOTO GALLERY&lt;/P&gt;&lt;/TD&gt;&lt;/TR&gt;
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&lt;P style="FONT-WEIGHT: bold; FONT-SIZE: 15px; COLOR: #3399cc; LINE-HEIGHT: 15px; FONT-FAMILY: Georgia, Times New Roman, Times, serif"&gt;&lt;A title=http://newsletters.nationalgeographic.com/W0RH01290F4BD5A1767DB3420D82F0 style="FONT-WEIGHT: normal; COLOR: #3399cc; TEXT-DECORATION: none" href="http://newsletters.nationalgeographic.com/W0RH01290F4BD5A1767DB3420D82F0" target=_blank&gt;&lt;B&gt;2. Left Bank’s Shakespeare and Company&lt;/B&gt;&lt;/A&gt; &lt;/P&gt;&lt;/TD&gt;&lt;/TR&gt;
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&lt;P style="FONT-WEIGHT: normal; FONT-SIZE: 14px; COLOR: #666666; LINE-HEIGHT: 18px; FONT-FAMILY: Trebuchet MS, Geneva, Arial, Helvetica, SunSans-Regular, sans-serif"&gt;&lt;IMG height=215 alt="" hspace=10 src="http://images.bigfootinteractive.com/images/7110103/19681426/021808_paris0803_gal6.jpg" width=275 align=left vspace=10 border=0/&gt;“Whenever I visit Paris, one of the first places I always go is the marvelous Left Bank bookstore, Shakespeare and Company," says photographer Catherine Karnow, who shot “Authentic Paris” in the March 2008 issue of &lt;I&gt;Traveler&lt;/I&gt;. American expat George Whitman opened the landmark bookstore, which is tucked away in the shadow of Notre Dame Cathedral, in 1951. "The shop is in an ancient building of creaky floors and crooked stairs," says Karnow. "There are hundreds of books and old leather armchairs where you can read for hours. If it is a Sunday, most likely there will be a poetry reading and tea in the same room where writers such as Lawrence Durrell and Henry Miller have read their works. One can even stay there for free, as I did once in 1981—but you do get what you pay for. I woke up to find myself covered in bedbug bites!" Click &lt;A title=http://newsletters.nationalgeographic.com/W0RH01290F5BC5A1767DB3420D82F0 style="FONT-WEIGHT: normal; COLOR: #3399cc; TEXT-DECORATION: none" href="http://newsletters.nationalgeographic.com/W0RH01290F5BC5A1767DB3420D82F0" target=_blank&gt;&lt;B&gt;here &lt;/B&gt;&lt;/A&gt;for more photos from the City of Light.&lt;/P&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;BR/&gt;&lt;/TD&gt;&lt;/TR&gt;
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&lt;TD width=505&gt;&lt;IMG height=5 alt="" src="http://images.bigfootinteractive.com/images/7110103/19681426/test_line_horz_sub.gif" width=505 border=0/&gt;&lt;/TD&gt;&lt;/TR&gt;
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&lt;P style="FONT-WEIGHT: bold; FONT-SIZE: 10px; COLOR: #000000; LINE-HEIGHT: 10px; FONT-FAMILY: Verdana, Arial, Helvetica, sans-serif"&gt;&lt;BR/&gt;PLACES OF A LIFETIME&lt;/P&gt;&lt;/TD&gt;&lt;/TR&gt;
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&lt;P style="FONT-WEIGHT: bold; FONT-SIZE: 15px; COLOR: #3399cc; LINE-HEIGHT: 15px; FONT-FAMILY: Georgia, Times New Roman, Times, serif"&gt;&lt;A title=http://newsletters.nationalgeographic.com/W0RH01290F2BF5A1767DB3420D82F0 style="FONT-WEIGHT: normal; COLOR: #3399cc; TEXT-DECORATION: none" href="http://newsletters.nationalgeographic.com/W0RH01290F2BF5A1767DB3420D82F0" target=_blank&gt;&lt;B&gt;3. My Paris&lt;/B&gt;&lt;/A&gt;&lt;/P&gt;&lt;/TD&gt;&lt;/TR&gt;
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&lt;P style="FONT-WEIGHT: normal; FONT-SIZE: 14px; COLOR: #666666; LINE-HEIGHT: 18px; FONT-FAMILY: Trebuchet MS, Geneva, Arial, Helvetica, SunSans-Regular, sans-serif"&gt;“My pleasure in Paris was tentative, almost embryonic at first, for I was just beginning to appreciate its contours and almost hidden pleasures, and why it was so different from the world—and the cities—that I knew best,” writes Pulitzer Prize-winning author David Halberstam in “My Paris.” “In America new was always better than old; in Paris old was always better than new. In the New World big was always better than small; in Paris there was a quiet celebration of all things small. In the New World time was of the essence; but in Paris life was of the essence—one should rush through absolutely nothing, most particularly lunch.” To read the rest of David’s essay or browse Paris’ best hotels, restaurants, and entertainment, click &lt;A title=http://newsletters.nationalgeographic.com/W0RH01290F3BE5A1767DB3420D82F0 style="FONT-WEIGHT: normal; COLOR: #3399cc; TEXT-DECORATION: none" href="http://newsletters.nationalgeographic.com/W0RH01290F3BE5A1767DB3420D82F0" target=_blank&gt;&lt;B&gt;here.&lt;/B&gt;&lt;/A&gt;&lt;/P&gt;
&lt;P style="FONT-WEIGHT: normal; FONT-SIZE: 14px; COLOR: #666666; LINE-HEIGHT: 18px; FONT-FAMILY: Trebuchet MS, Geneva, Arial, Helvetica, SunSans-Regular, sans-serif"&gt;&lt;FONT color=#ff0000 size=3&gt;SOUNDS LIKE A WINNER TO ME....................&lt;/FONT&gt;&lt;/P&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;BR/&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;</description>
<link>http://journals.aol.com/huffstutterr/imaginemonmartre/entries/2008/02/20/cheap-weekend-on-the-left-bank-go-man-go.../1545</link>
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<title><![CDATA[CHEAP WEEKEND ON THE LEFT BANK, GO MAN GO...]]></title>

<pubDate>Thu, 21 Feb 2008 00:16:14 GMT
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