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A Spiritual Journey

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< Finding my Musica
Tuesday, November 11, 2003
The Journey of Fr >
Tuesday, November 11, 2003
November 2003
The Brick Wall
Banned From The Air
Playing The Clubs
Almost On The Road with Toto
Another Sold Out Show
An Avalanche of Confidence
Finishing the Record
The Recording Sessions
The New Studio
Selecting The Songs for the New Record
The Material
An Avalanche of Momentum
Avalanche Sells out the Club
WCCC 106.9 FM and Avalanche
Thoughts After the Show
Avalanche Hits the Stage....Finally!
A New Day Dawns
The Final Rehearsal
Making the Choice
Patti Again
Annie and American Talent International
Taking Care of the Final Details
Trying to Keep A Perspective
The House on McCall Road
Avalanche Hits the Airwaves
The First Record is Released
The Seeds of Doom...A Side Project...The Shaboo All-Stars
The Recording Studio
The Essential Need for Momentum
Keeping the Band Happy
The Band's "Other Women"
The Politics with the Women
Our Crew
Keeping Things "Under Wraps"
Writing and Rehearsing
Avalanche is Born
Barry Easton Gets the Job..
The Responsibility of Leadership
The Relationship between Bass and Drums
Mark comes aboard
Mark Easton
Charles Calmese
Making It Happen
The Journey of Friendship
An Unconventional Plan
Finding my Musical Identity
Back on Course
Very close...but no cigar...
The Audition
A "Shot" at the "Big Time"
Annie... Sex and Drugs and Rock n'Roll
The Move to Boston...
Recuperating...
A Near Death Experience...
Finding my way back...
Clueless
A Friend Through Thick and Thin
Kilo's Sacrifice
« November 2003 Archive
Tuesday, November 11, 2003
3:37:00 PM EST
Feeling Hopeful
Hearing My own music

An Unconventional Plan


As the music began to materialize, my confidence grew. I felt like this was going to work. I had always believed that a band should be like a family, and after my experience in Detroit, I was determined to make sure that this band was going to reflect that. It was mid 1977, and at that time, the "conventional" wisdom was that if a band was good, it would be noticed (if they were very lucky), then signed to a major label, which would then provide the funds for equipment, recording, employees, etc. I had a different view. I was going to take "luck" out of the equation. I believed that if I didn't take the band seriously, nobody else would either. So my plan was to do everything that bands relied on record companies to do for them... myself, before the band ever appeared in public, so that instead of tip-toeing onto the music scene, we would explode onto the music scene, attracting so much attention, that we'd have to be signed. That kind of approach was unheard of in 1977. And to do that, I was going to need a lot more concert and recording studio quality sound equipment. Just by doing that, I knew that the consistency and quality of the band's live shows would be totally in my hands..I wouldn't have to worry about cheap sound, or bad equipment, or poor technicians, preventing audiences from hearing what we were really capable of. I completely believed in "quality control". And that was going to require an extremely large amount of money to accomplish..but as I have already stated, I knew how to make money. And with no heroin habit to support, I got to work making the money I would need, and when I wasn't writing music, I was dealing. Five of my business associates,who were also very close friends, ended up working in the band as roadies... I guess my enthusiasm and conviction were contagious. These guys knew something powerful was afoot, and they wanted to be a part of it. When they weren't helping me with my dealing, they were involved in the behind the scenes stuff with the band..and one friend in particular was very, very good at what he did...

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