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A Spiritual Journey

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< An Avalanche of M
Thursday, November 27, 2003
Selecting The Son >
Thursday, November 27, 2003
November 2003
The Brick Wall
Banned From The Air
Playing The Clubs
Almost On The Road with Toto
Another Sold Out Show
An Avalanche of Confidence
Finishing the Record
The Recording Sessions
The New Studio
Selecting The Songs for the New Record
The Material
An Avalanche of Momentum
Avalanche Sells out the Club
WCCC 106.9 FM and Avalanche
Thoughts After the Show
Avalanche Hits the Stage....Finally!
A New Day Dawns
The Final Rehearsal
Making the Choice
Patti Again
Annie and American Talent International
Taking Care of the Final Details
Trying to Keep A Perspective
The House on McCall Road
Avalanche Hits the Airwaves
The First Record is Released
The Seeds of Doom...A Side Project...The Shaboo All-Stars
The Recording Studio
The Essential Need for Momentum
Keeping the Band Happy
The Band's "Other Women"
The Politics with the Women
Our Crew
Keeping Things "Under Wraps"
Writing and Rehearsing
Avalanche is Born
Barry Easton Gets the Job..
The Responsibility of Leadership
The Relationship between Bass and Drums
Mark comes aboard
Mark Easton
Charles Calmese
Making It Happen
The Journey of Friendship
An Unconventional Plan
Finding my Musical Identity
Back on Course
Very close...but no cigar...
The Audition
A "Shot" at the "Big Time"
Annie... Sex and Drugs and Rock n'Roll
The Move to Boston...
Recuperating...
A Near Death Experience...
Finding my way back...
Clueless
A Friend Through Thick and Thin
Kilo's Sacrifice
« November 2003 Archive
Thursday, November 27, 2003
10:26:00 PM EST
Feeling Quiet
Hearing My own music

The Material


One of the things about Avalanche's original music that created such an instantaneous appeal for the public, was the depth, quality, and honesty of the songs. The songwriting was simple, but sophisticated, and both Mark and I were writing the best material of our lives, both seperately, and collaboratively. Although we were coming up with huge amounts of music and lyrics, these were not "assembly line" songs. They were thoughtful, personal, sometimes political, and very often autobiographical, and much of what we were writing about in those songs expressed what a large segment of the population was feeling and experiencing...so it was very easy for the public to "identify" with the music. I know that Mark and I were both unwilling to settle for "filler" material, and that we both insisted on getting the musical and lyrical moods to "match up". We wanted every song to be powerful... I personally spent a great deal of my time on my lyrics. I still do. The trick is to say something that anyone can relate to...but in a way that says it differently than anyone else may have already said it...to be fresh, and truthful, without sounding arrogant or "preachy". Nobody ever heard one of our songs and said.."oh, that's the same thing that such and such a band just did".  Our material covered a lot of territory. We had songs about music, women, poverty, unemployment, war and peace, relationships, partying, drugs and drug dealing, addiction....in effect... the life that most people our age were "living"at that time. Love songs had a softer edge, drug songs had a heaviness, party songs were rambunctious...we really fine-tuned the writing process...and because we were writing about ourselves... when we sang them...there was the conviction in our voices that only comes from truly believing what you're saying. And it was very apparent. And it worked...

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