TixGirl's Kickin' Concerts & Live Music for the Masses

Wednesday, March 26, 2008
7:08:00 PM EDT
Feeling Loopy
Hearing David Ford: Songs For The Road How often is it that one sees a show that drops jaws while simultaneously
calling into question the very nature of live music?

It's an odd question, I admit. But the moment you see David Ford perform, that
awfully fuzzy question instantly crystalizes.


Photo by Kyle Dean Reinford at Flickr

Must a band play the instruments at all times in order for a performance to be
considered "live"? Anyone who has ever seen a DJ or an electro-pop band
will instantly answer, "no, there's playback, and it's totally legit." To them I say
sure, sure, there's a place for playback in music today. But playing a canned
recording is a far cry from being truly "live". And that's precisely why most
bands don't like to draw much attention to their reliance on playback.

OK, so playback isn't precisely live. But what about looping?

Enter the maestro, David Ford. The Englishman's solo live performances are
the stuff legends are made of. Witness the buzz building to a deafening pitch
on blogs and ye olde print medium magazines. What sets Ford apart from the
usual slate of solo singer-songwriters? He is a one-man-band -- a fully
self-contained orchestra of sounds playing simultaneously, with only one dude
on the stage.

How does he do it? He’s loopy.

As Café Eclectica explained so eloquently after catching last week’s Bowery
Ballroom show, “Ford blew me away with his one-man looping band, where he
would play a part of the song, record it in a loop, and continuously add to it.”
With a number of instruments on hand to build out his orchestral montage,
Ford loops to create lush, many-layered, moody atmospheres with his
melancholy tunes. It’s an approach that he raises to an art form.

It also raises that tricky “what is live music” question. We’ve agreed playback
isn’t live, even when it’s used in a live show. But in the case of David Ford’s
loops, where he plays the part right there in front of you, you can witness for
yourself that the first instance of the part was, indeed, live. And though it is
played back repeatedly, it’s not playback. Dambit Gumby, it IS live.

And in David Ford’s deft hands, it’s electrifying. It’s unique. It’s what makes him stand
apart from the Damien Rice and David Grey comparisons. It’s what enables
him to stand apart from the lush backgrounds and refocuses our attention on
his emotive vocal performance – the part he uses to really connect with an
audience. Most importantly, it makes converts out of all who witness the
hitherto unheard of artist, and inspires them to spread the gospel.

Check out one of these upcoming shows and witness the loopiness yourself:

Mar 28 2008             8:00P            TOWN BALLROOM             BUFFALO - USA

Mar 29 2008             8:00P            ST ANDREW’S HALL             DETROIT - USA

Mar 31 2008             8:00P            MERCURY LOUNGE             NEW YORK - USA

Apr 15 2008             8:00P            HOTEL CAFE             LOS ANGELES - USA

Apr 16 2008             8:00P            HOUSE of BLUES             SAN DIEGO - USA

Apr 19 2008             8:00P            SINGS LIKE HELL             SANTA BARBARA - USA

Apr 22 2008             8:00P            Paradise *SOLD OUT* Boston, Massachusetts

Apr 23 2008             8:00P            Irving Plaza *SOLD OUT* New York, New York

Apr 24 2008             8:00P            TLA *SOLD OUT*             Philadelphia, Pennsylvania

Apr 28 2008             8:00P            9:30 Club *SOLD OUT*             Washington DC, Washington DC

Apr 29 2008             8:00P            Neighborhood             Charlotte, North Carolina

Apr 30 2008             8:00P            Variety             Atlanta, Georgia

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This entry has 1 comments: (Add your own)

• #1 Comment from spossing 
  6/10/08 9:45 PM | Permalink

  Here's another review:
  
  http://evolvingmusic.wordpress.com/david-ford-interview